They call Kwame Kilpatrick the “Hip Hop Mayor.”
If you asked me why a few months ago, I wouldn’t have been able to tell you why and truth be told, I can’t even tell you who “they” are. Not only is he the mayor of America’s most dangerous city, but he’s the son of Rep. Carolyn Cheeks Kilpatrick and was elected when he was 31 as the youngest mayor in the city’s history. But now he is caught up so deep in this case that by the end of this year, he might himself be history. And it’s no LOL matter.
But why is Kilpatrick considered hip hop? Is it ‘cause he’s black?
Ok. He did host Russell Simmons and rappers during Hip Hop Summit at Cobo Arena in 2003 and again at Wayne State University in 2006. But that’s played out. He does have a myspace. He's stylish. I suppose his wild stripper party at the Mayor’s mansion in 2002 and the lap dance he was getting from a stripper when his wife walked in might mirror some low-budget Rap City videos. (btw, the stripper, Tamara Greene, was killed the next year in a case that remains unresolved and in some crazy way is linked to all his current drama. More on that later.) But, as we all know, a real life BET video hardly makes anyone hip hop.
I didn’t get it at first, but with all that’s going on with dude nowadays, it’s starting to make some sense. Earlier this year, the Detroit Free Press found some 14,000 salacious text messages exchanged between Kilpatrick and his chief of staff, Christine Beatty, a chick he knew since high school. The text messages were from five years ago on city issued pagers, but when he wrote messages like "That's the first time I couldn't fully seduce you! My game is off. LOL!" he wasn’t talking about failure to push legislation. They were both married with children at the time of the affair. Beatty has since divorced and resigned. Carlita Kilpatrick is standing by her man.
It all came to an exploding head last week when Wayne County Prosecutor Kym Worthy announced a 12-count criminal indictment against Kilpatrick and Beatty. Kilpatrick was charged with eight felonies including perjury, misconduct in office and obstruction of justice. Apparently, the text messages also revealed that he was also lying during a whistle-blower lawsuit about the firing of Deputy Police Chief Gary Brown, who before he was “fired” was investigating the aforementioned stripper party where the mayor’s wife may or may not have attacked Tamara Greene. Drama right? (Not to mention Beatty’s former husband and Kilpatrick supposedly were boys.) It does have some sort of Jay-Z/Nas beef ring to it and his shady under-the-table dealings do appear Wire-esque. But still, all this makes Kilpatrick seem more Bill Clinton than Beanie Sigel.
But by the end of last week, I became a convert. Kilpatrick is hip hop. I’m not talking the alive and kicking version that became a global phenomenon linking cultures and customs in one empowering and emancipating language of art. I’m talking about today’s hip hop. The dead one.
Kilpatrick is yet another version of what happens when keeping it real goes wrong, when you slack on your pimpin’. First off, why in the world would you broadcast your undercover escapades on city-issued anything? And to my knowledge, he was the who re-authorized the city directive that said all electronic communication sent on city equipment should be “used in an honest, ethical, and legal manner,” not for personal or private use. But that’s not why he’s hip hop.
His hip hop status comes not from his actions, but his swagger, as misguided as it might be. On Thursday, he told hundreds of people that authorities are trying to “lock me up forever” over the messages.
"I have the opportunity right now to go prison, not jail, for text messages," Kilpatrick said during a 40-minute speech. "There's been no evidence. No facts presented. Get out of office and go to prison."In classic rapper fashion, Kilpatrick said he ain’t going nowhere. Despite what he’s up against, he sounds convinced that he is impervious to punishment. But really, if you peel away the layers of his bloated bravado, all you see is a power figure trembling like a sandbox bully who just hit a teacher. Just ask Remy Ma. It doesn’t get real until the prison sentence is given.
"I will humbly serve you till the day I die," he said from the pulpit.
Not only that, but Kilpatrick seems bent on blaming everybody but himself. That sounds like a few modern-day emcees I know. Whether it’s LL Cool J or Method Man blaming Def Jam for their album sales numbers or rappers in general blaming the press for negative reviews and criticism. There should come a point where you own up to your part in the issue. (This goes for America at large too which of course blames rap for all of its ills.) But like rappers, Kilpatrick is in a position of authority. What he does and says matters and with that comes responsibility. Kilpatrick might know responsibility. They might have even been cool at one point. But right now, it doesn’t look like Kilpatrick has been kicking it much with responsibility. At least not in public. (Maybe he hooked up with his wife on the low.)
Kilpatrick is definitely trying to save face, which is standard procedure in hip hop. David Patterson, New York’s new governor came clean about his extramarital affairs and drug use so I guess that makes him the Rock n Roll Governor. Or is that R&B? In any case, I’ve been thinking about Kilpatrick’s attachment to technology and in this age of ringtone rap, I wondered what he might have on his phone when a certain somebody dials his number.
So here’s my list of Kilpatrick’s top five ringtones:
“Can’t Let You Go” by Fabolous (for Christine Beatty)
We been creepin and sneakin/Just to keep it from leakin/We so deep in our freakin/That we don't sleep on the weekend
Need I say more?
“Song Cry” by Jay-Z (for Carlita Kilpatrick)
It was out of this and Jigga’s “03 Bonnie and Clyde” but with that “me and my girlfriend” hook, Kilpatrick didn’t want to risk getting confused and answering the phone with the wrong name on his tongue.
“Cleaning Out My Closet” by Eminem (for Rep. Carolyn Cheeks Kilpatrick)
2Pac’s Dear Mama would have been too obvious, especially if it rings in a city budget meeting. Plus, it is more earnest than Detroit’s mayor seems to be. But with this Eminem cut as a polyphonic ringtone, Kilpatrick can nod his head while knowing in the back of it that he’s about to get it.
“Playa Hata” by the Luniz (for the Detroit Free Press)
In 1995, along with “I Got 5 On It,” this track was the other classic from the Oakland rap duo and I’m sure big pimpin’ Kilpatrick is feeling this one right about now.
“Bad Boy For Life” by Diddy (for all other callers)
Kilpatrick could have quoted directly from this track last week as he vowed to remain in office. Residents are torn. Some say he should stay. Others say he should go. The saga continues…



10 comments:
That was priceless! ROFL
My hat's off to you Doc. this was a tight article and the title - off the hook! Well once again I can not judge so I will just shake my head instead. I did not like the fact that his title was the "hip hop mayor" either. but his past and present actions do fit the current cooning, bafooning, partying, and pipe laying macho stereotypes of today so what can I say.
I used to feel some type of alligence and pride when it came to him since we are both FAMU alumni but this right here just reminds me to be thankful for who I am. I dont have the degree, money or professional status that I desire yet but what I do have, I handle my business like a woman and keep it tight you know what I mean? Treat others like you want to be treated, try to be fair and loving as possible, and take care of home and family first, keep your house in order. Its old fashion but its the truth.
As far as his wife standing by him, once again, I am so sick and tired of that. His wife, Hillary, Spitzer's wife, even Kobe's wife. Maybe its for the love, maybe its the money, maybe its for the press and behind closed doors they are separated or gettin their's on the side too. (Hey I was not mad at Shaq's wife...umm ex wife)
But I will say this, I am a modern woman and an equal opportunist. If ole' boy makes it clear that manogamy ain't his thang, I will glady move on. My mom always said get your own so you dont HAVE to put up with a man's foolishness. If you do it should be because you WANT to.
So for Mayor Kilpatrick, the following song is my dedication to you via your wife "Cheatin" by Little Brother of the Minstrel Show. LOL.
"cheatin". lol. that's a good one.
hey doc i wanted to drop one more thing on ya. in the article i notice you stated there was two types of hip hop. the dead one, and the alive one that connected cultures. if both do exist, how do you gage wither its (it as a whole) is dead or alive or maybe to many it feels dead because of what is pushed in the mainstream?
last night i went to Blu's myspace page just to get a taste of something new. he had a tight 1 hour interview with Davey D and they were name dropping alot of west coast rappers & producers i had never heard of but would not mind getting into and supporting.
although you are keeping up on mainstream topics and trends, maybe you could do a weekly or monthly health check up - a doctor's recommendation so to speak and put us onto some new and fresh stuff.
i have been diggin to find some other stuff by Blu and am looking forward to his new stuff. Also, I am loving Jay Electronica, I just can't find anything by him other than what's on the net. Let me know what you think and enjoy the rest of your day.
Peace...
Dulce
P.S. just in case you have not heard of Davey D (but I am sure you have) he is a really good hip hop journalist and contributor based in Cali. I used to read his website daily. the link is http://www.daveyd.com/
great point. first to clarify, hip hop, the old school incarnation, did finally pass away two years ago. the dead one that i refer to now is that same girl, who i believe will resurrect in a different form. a reincarnation so to speak. that's what this whole blog is about, me documenting my findings as we wait for this re-emergence to take place.
blu is one of the biggest signs that hip hop, in a new form, is coming back. he has been getting a lot of love lately and it's a really good thing. (thanks for the hiphopdx q&a link btw.)
i'm sure you've peeped this, but i've been scaling back on the blog, posting once a week rather than daily. that allows me to connect the dots and give each post more depth rather than putting up videos and quick hip hop news that people can get from anywhere. i'm definitely always trying to keep my ear to the ground to find the movers and shakers that are new and fresh.
p.s. and davey d is the truth.
i hear ya and feel ya. i am still torn though because the mainstream BET, MTV made me want to HATE hip hop. However once i got hungry and started doing my research I found that she was alive in so many forms, places (worldwide) and spaces.
what will determine when she finally "returns" and what role will the mainstream media play in that. POPular black music over all is losing its quality if you depend on the radio and TV. but if you dig in the crates you find that quality music, artists and creativity never went anywhere.
what determines the death of an art form. the true absence of it, or the removal of the audience to indulge in it? or maybe uniqueness is on the decline because we have gangster clones and cronies that want to make the $$$$. i hate mainstream music, but it has forced me to stumble upon so many jewels that i love.
- Dulce
think about it like this: hip hop was omar little. omar got killed by a soulless up-and-comer with no principles, no knowledge of or respect for the past (a la D4L, soulja boy etc.) and all these other money-hungry clones as you say. for the last two episodes of the series, omar's death resonated and there was a void. then in the final episode, michael emerged as a younger, brasher stick-up kid who has seen both sides, a new omar. ("that's just a knee.") with the "jewels" that glimmer beneath mainstream's surface (blu, jay electronica, kidz in the hall, lupe) we are seeing glimpses of michael's handiwork but we have yet to see him fully step into the light to become the legend he once was in his former shell. i don't know what will signify that but i think we'll know it when we see it. and i think it's near. make sense? i hope that wire metaphor wasn't too convoluted.
it does however my question still is, what role in your eyes does the mainstream play in all of this. was it the destruction of it, will it be the resurrection of it?
both. just like how michael had to be a part of marlo's crew before he could evolve and come into his own, so too will hip hop's evolution come from the fusion of the current trends and the underground.
you and the wire. LOL. nevertheless well put. i totally understand and agree. it will be interesting to see what comes of this fusion and when it will occur.
-Dulce
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